{"id":53,"date":"2018-11-15T13:26:18","date_gmt":"2018-11-15T13:26:18","guid":{"rendered":"http:\/\/s761661996.online.de\/?page_id=53"},"modified":"2019-10-30T16:45:56","modified_gmt":"2019-10-30T15:45:56","slug":"programme","status":"publish","type":"page","link":"https:\/\/www.ensemblecastor.com\/en\/programme\/","title":{"rendered":"Programmes"},"content":{"rendered":"
<\/div>\n\"\"<\/p>\n
\r\n
\r\n \r\n
\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Agostino Steffani - Life Stages<\/span>\r\n <\/div>\r\n
\r\n

Steffani in Padua<\/span>
\n<\/span>Giovanni Battista Bassani (1650-1716)<\/strong>
\nSonata in F major for 2 vl and B.c. op.5\/6
\nSalve Regina for soprano, 2 vl and B.c. from `Antifone Sacre a voce sola con violini\u00b4 op.26<\/p>\n

Steffani in Rome<\/span>
\n<\/span>Arcangelo Corelli (1653-1713)<\/strong>
\nSonata da chiesa op.1\/12 in D major for 2 vl and B.c.<\/p>\n

Agostino Steffani<\/strong>
\n`Guardati o core\u00b4 from `Sei Scherzi\u00b4, Padova from soprano, 2 vl and b.c.<\/p>\n

Giuseppe Valentini (1681-1743)<\/strong>
\nSonata da chiesa op.V\/7 `La Corelli\u00b4 in B flat major<\/p>\n

Agostino Steffani<\/strong>
\n`Fileno, idolo mio\u00b4, from `Sei Scherzi\u00b4, Cantata for soprano, 2 vl and B.c.<\/p>\n

Interval<\/em><\/p>\n

Steffani in Munich<\/span>
\n<\/span>Giuseppe Antonio Brescianello (1690-1758)<\/strong>
\nSonata in b minor for 2 violins and B.c.<\/p>\n

Rupert Ignaz Mayr (1646-1712)<\/strong>
\n`Salve Regina\u00b4 from `Sacri Concentus\u00b4 for soprano, 2 vl , cello and B.c.<\/p>\n

Agostino Steffani<\/strong>
\n`Ogni core puo sperar\u00b4 from `Servio Tullio\u00b4 for soprano, strings and B.c.<\/p>\n

Steffani in Hanover<\/span>
\n<\/span>G.F. H\u00e4ndel (1685-1759)<\/strong>
\nSonata for 2 violins and B.c. op.2\/5 in g minor<\/p>\n

Agostino Steffani<\/strong>
\n`La Cera sta pi\u00f9 terribile\u00b4 from `La Lotta d\u00b4Hercole con Achelos\u00b4, 1689 Dance of the nymphs from `La Lotta\u00b4<\/p>\n

Steffani in D\u00fcsseldorf<\/span>
\n<\/span>Agostino Steffani<\/strong>
\n`Dal tuo labbro amor m\u00b4invita\u00b4 from `Tassilone\u00b4
\n`Pi\u00fa non v\u00b4ascondo\u00b4 from `Tassilone\u00b4<\/p>\n

Ensemble Castor
\nSilvia FRIGATO, soprano<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Georg Friedrich H\u00e4ndel<\/span>\r\n <\/div>\r\n
\r\n

Amarilli Vezzosa<\/span><\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nConcerto a quattro in D major for 2 violins, cello and B.c.
\n`Clori, mia bella Clori\u00b4, HWV 92 Kantata for soprano, 2 violins and b.c.
\nTriosonata op.2\/5 for 2 violins and B.c.
\n`Sono liete, fortunate\u00b4, HWV Kantata for soprano, alto and B.c.<\/p>\n

Interval<\/em><\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nTriosonata op.5\/2 for 2 violins and B.c.
\n`Cerco sempre di gloria\u00b4 HWV 87, Kantata for alto, Vl and B.c.
\nToccata HWV 586 for harpsichord solo
\n`Amarilli vezzosa\u00b4, HWV 82, Kantata for soprano, alto, 2 violins and B.c.<\/p>\n

Ensemble Castor
\nSilvia FRIGATO, soprano<\/em><\/span><\/p>\n

\n

Sacred Cantatas\u00a0<\/span><\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nLaudate pueri Dominum, HWV 236 for soprano, 2 Vl and B.c.
\nConcerto for organ and strings in d minor HWV 309
\nCoelestis dum spirat aura HWV 231, Mottet for soprano, 2 vl and B.c.
\nTriosonata op.2\/1 for 2 vl and b.c.<\/p>\n

Interval<\/em><\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nSinfonia in B flat major HWV 335 for strings
\nO qualis de coelo sonus, HWV 239, Mottet for soprano, 2 violins and b.c.
\nConcerto for organ and strings op. 4 Nr. 3
\nSalve Regina HWV 241 for soprano, 2 violins and B.c.<\/p>\n

Ensemble Castor
\nChristina GANSCH, soprano<\/em><\/span><\/p>\n

\n

H\u00e4ndel in Italy<\/span><\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nConcerto grosso op.6\/7 in D major
\n`Crudel tiranno Amor\u00b4, Kantata for soprano, strings and B.c.
\nArcangelo Corelli (1653-1713)
\nConcerto grosso op.6\/4 in D major for strings<\/p>\n

Interval<\/em><\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\n`Tu del Ciel Ministro eletto\u00b4 from `Il Trionfo del tempo e del
\nDisinganno HWV 46a for soprano, strings and B.c.
\nConcerto grosso op.6\/2 in F major
\n`Agrippina condotta a morire\u00b4, Kantata for soprano, strings and B.c.<\/p>\n

Ensemble Castor with Enrico ONOFRI, solo violin and leading
\nSilvia FRIGATO, soprano<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Georg Philipp Telemann - People and Nations<\/span>\r\n <\/div>\r\n
\r\n

This programme is an exciting journey throughout Europes nations and people with their own habits and characters. Besides Telemanns famous suites and Couperins Les Nations Castor also presents parts of `Concertos Comique\u00b4 and C.Ph.Bachs solo works for harpsichord.<\/p>\n

Georg Philipp Telemann (1681-1767)<\/strong>
\nOuverture in B flat major TWV 55:5 `V\u00f6lker\u00b4 for strings and B.c
\nOuverture Les Turcs Les Suisses Les Moscovites Les Portugais Les Boiteux Les Coureurs<\/p>\n

Francois Couperin (1668-1733)<\/strong>
\nfrom `Les Nations\u00b4 : `La Francoise\u00b4 , for Flauto Traverso, violin and B.c.<\/p>\n

Carl Philipp Emanuel Bach (1714-1788)<\/strong>
\n`Alla Polacca\u00b4 H.217 `La Philippine\u00b4 H.96 for harpsichord solo<\/p>\n

Michel Corrette (1707-1795)<\/strong>
\nfrom `Concertos Comique\u00b4 op.8 `Concerto in g minor `Les Sauvages et la Furstemburg\u00b4 op.8\/25 for 2 violins, flauto and B.c<\/p>\n

Interval<\/em><\/p>\n

Francoise Couperin (1668-1733)<\/strong>
\nfrom `Les Nations\u00b4 `La Piemontoise\u00b4<\/p>\n

Michel Corette (1707-1795)<\/strong>
\nfrom `Concertos Comique\u00b4 op.8 `La Turque et la Confession\u00b4 op.8\/19, for 2 vl , flauto and B.c.<\/p>\n

Georg Philipp Telemann<\/strong>
\nConcerto for flauto traverso, 2 violins and B.c.in D major TWV 51:D2
\nOuverture in G major TWV 55:4 `Des Nations anciens et modernes\u00b4
\nOuverture
\nMenuet I und II
\nLes Allemands anciens
\nLes Allemandes modernes
\nLes Su\u00e9dois anciens
\nLes Su\u00e9dois modernes
\nLes Danois anciens
\nLes Danois modernes
\nLes vielles femmes<\/p>\n

Ensemble Castor
\nJana SEMERADOVA, flauto traverso<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Johann Sebastian Bach - Musical Offering BWV 1079<\/span>\r\n <\/div>\r\n
\r\n

Johann Sebastian Bach (1685-1750)
\n<\/strong>Ricercar a 3
\nCanon perpetuus super thema regium
\nCanon I a 2
\nCanon II a 2 violini in unisono
\nCanon III per motum contrarium
\nCanon IV per augmentationem, contrario motu
\nCanon V a 2 per tonas
\nFuga canonica in epidiapente
\nRicercar a 6
\nCanon a 2, Quaerendo invenientis
\nSonata Largo - Allegro - Andante \u2013 Allegro<\/p>\n

Ensemble Castor<\/span><\/em>
\nJana SEMERADOVA, flauto traverso<\/span><\/em><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Johann Sebastian Bach in Weimar<\/span>\r\n <\/div>\r\n
\r\n

Johann Sebastian Bach (1685-1750)
\n<\/strong>Brandenburg Concert II BWV 1047
\n`Widerstehe doch der S\u00fcnde\u00b4 BWV 54
\nToccata in f sharp minor BWV 910 f\u00fcr harpsichord<\/p>\n

Interval<\/em><\/p>\n

Triosonata in G major BWV 1017\/1
\nAria `Ach bleibe doch mein liebstes Leben\u00b4 BWV 11
\nBrandenburg Concerto V BWV 1050<\/p>\n

Ensemble Castor<\/em><\/span>
\nSophie RENNERT, mezzo-soprano<\/em><\/span>
\nJana SEMERADOVA, flauto traverso<\/em><\/span>
\nFranz LANDLINGER, trumpet<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Johann Sebastian Bach and His Sons<\/span>\r\n <\/div>\r\n
\r\n

Carl Philipp Emanuel Bach (1714-1788)<\/strong>
\nSinfonia in D major H.585<\/p>\n

Johann Christian Bach (1735-1782)<\/strong>
\nSonata for harpsichord and violin op.15\/1<\/p>\n

Carl Philipp Emanuel Bach<\/strong>
\nFantasy in C-major for harpsichord<\/p>\n

Johann Sebastian Bach<\/strong>
\nTriosonata in G major BWV 1038<\/p>\n

Interval<\/em><\/p>\n

Carl Philipp Emanuel Bach<\/strong>
\nSinfonia in a minor Wq 156<\/p>\n

Johann Christoph Friedrich Bach<\/strong>
\nSonata for violoncello and b.c. in G major<\/p>\n

Johann Sebastian Bach Sonata<\/strong>
\nfor violin and harpsichord obligato in A major BWV 1015<\/p>\n

Carl Philipp Emanuel Bach<\/strong>
\nSonata for 2 violins and B.c. in B flat major ,H.584<\/p>\n

Ensemble Castor<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Le Quattro Stagioni - Antonio Vivaldi<\/span>\r\n <\/div>\r\n
\r\n

Antonio Vivaldi (1678-1741)<\/strong>
\nConcerto for strings RV 114<\/p>\n

Antonio Vivaldi<\/strong>
\n`La primavera\u00b4,op.8\/1 in E major<\/p>\n

Antonio Caldara (1670-1736)<\/strong>
\nConcerto for violoncello, 2 violins and B.c. in d minor<\/p>\n

Antonio Vivaldi<\/strong>
\n`L\u00b4estate\u00b4, op.8\/2 in g minor<\/p>\n

Interval<\/em><\/p>\n

Antonio Vivaldi<\/strong>
\n`L\u00b4autunno\u00b4, op.8\/3 in F major<\/p>\n

Johann Sebastian Bach (1685-1750)<\/strong>
\nConcerto for harpsichord and strings BWV 1054<\/p>\n

Antonio Vivaldi<\/strong>
\n`L\u00b4inverno\u00b4, op.8\/4 in f minor<\/p>\n

Ensemble Castor<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Les Nations - Union of the National Styles<\/span>\r\n <\/div>\r\n
\r\n

Francois Couperin (1668-1733)<\/strong>
\n`La Francoise\u00b4 from `Les Nations\u00b4, 1726<\/p>\n

Arcangelo Corelli (1653-1713)<\/strong>
\nfrom Triosonatas op.2.<\/p>\n

Francois Couperin<\/strong>
\n`La Steinquerque\u00b4, Sonata for 2 vl and B.c.<\/p>\n

Interval<\/em><\/p>\n

Jean Marie Leclair (1697-1764)<\/strong>
\n`Deuxi\u00e8me r\u00e9cr\u00e9ation de musique\u00b4, op.8<\/p>\n

Arcangelo Corelli<\/strong>
\n`La Follia\u00b4 op.5\/12 for vl and B.c.<\/p>\n

Francois Couperin<\/strong>
\n`L\u00b4Imp\u00e9riale\u00b4 from Les Nations, 1726<\/p>\n

Ensemble Castor<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n London Affairs - Music from London of the Galant Style<\/span>\r\n <\/div>\r\n
\r\n

Johann Christian Bach (1735-1782)<\/strong>
\nAllegro assai - Andante \u2013 Presto<\/p>\n

William Boyce (1711-1779)<\/strong>
\nSonata for 2 violins and b.c. op 1\/5 in D major
\nAllegro - Largo - Fuga: Allegro assai<\/p>\n

Charles Avison (1709-1770)<\/strong>
\nSonata Nr 7 f\u00fcr harpsichord, 2 violins and cello<\/p>\n

Joseph Haydn (1732-1809)<\/strong>
\nDivertimento in C major Hob XIV:4 for harpsichord, 2 vl and cello
\nAllegro - Menuett - Finale: Allegro<\/p>\n

Interval<\/em><\/p>\n

Charles Avison<\/strong>
\nSonata Nr 2 for harpsichord, 2 violina snd cello op.5\/2 in C major
\n`Con Giubilo\u00b4 - `Con Tenerezza\u00b4<\/p>\n

Thomas Arne (1710-1778)<\/strong>
\nSonata for 2 violins and basso continuo op.4\/1 in A major
\nLargo - Allegro - Grave - Allegro ma non troppo - Minuet<\/p>\n

Johann Christian Bach<\/strong>
\nSonata for violin and harpsichord op.16\/4
\nAllegretto - Pastorale<\/p>\n

W. A. Mozart (1756-1791)<\/strong>
\nConcerto for harpsichord, 2 vl and cello KV 107\/2 in G major after the sonatas op.5 by J.Ch. Bach
\nAllegro - Allegretto<\/p>\n

Ensemble Castor<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Magic Medea<\/span>\r\n <\/div>\r\n
\r\n

Ensemble Castor is going to explore the beginning of the 18th century in Rome and Naples. In the main focus there is Caldaras cantata `Medea in Corintho\u00b4, a very popular sujet at this time. Around there will be music of Caldaras contemporaries in Rome and famous composers of Naples, the place where the development of the opera got some important influences.<\/p>\n

Giuseppe Antonio Brescianello (1690-1758)<\/strong>
\nfrom `Concerti a tre \u00b4 Concerto III in g minor
\nLargo , Allegro - Allegro - Adagio \u2013 Presto<\/p>\n

Agostino Steffani (1654-1728)<\/strong>
\n`Il pi\u00f9 felice e sfortunato amante \u00b4, Kantata for mezzosoprano
\nPreludio - Il pi\u00f9 felice - Moro, si - Ma s\u00b4\u00e9 da un si - Cos\u00ec dubbia<\/p>\n

Nicola Porpora (1686-1768)<\/strong>
\nfrom `Sinfonie da camera \u00b4 op.2, Concerto primo
\nAdagio - Allegro - Aria I - Aria II<\/p>\n

Alessandro Scarlatti (1660 - 1725)<\/strong>
\nfrom Kantata `Perch\u00e8 tacete, regolati concenti? \u00b4, Aria I `Alla mano che dotta in voi\u00b4<\/p>\n

Leonardo Leo (1694-1744)<\/strong>
\nSinfonia concertata for violoncello and strings in c minor
\nAndante grazioso - Molto presto - Larghetto - Allegro<\/p>\n

Interval<\/em><\/p>\n

Antonio Maria Montanari (1676-1737)<\/strong>
\nSonata for violin and B.c. in d minor
\nAdagio - Allegro - Adagio - Giga senza Basso<\/p>\n

Giuseppe Valentini (1681-1753)<\/strong>
\nTriosonata op.5\/10 `La Montanari\u00b4
\nAdagio, Allegro - Adagio - Allegro<\/p>\n

Antonio Caldara (1670 - 1736)<\/strong>
\n`Medea in Corintho\u00b4, Kantata for mezzo-soprano and strings<\/p>\n

Ensemble Castor<\/em><\/span>
\nIda ALDRIAN, mezzo-soprano<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Musica Universalis<\/span>\r\n <\/div>\r\n
\r\n

Johann Sebastian Bach (1685-1750)<\/strong>
\nSonata sopra il sogetto Reale a Traversa, Violino e Continuo BWV 1079
\nLargo - Allegro - Andante \u2013 Allegro<\/p>\n

Jean Fery Rebel (1666-1747)<\/strong>
\nSonata for violin and Basso Continuo Nr 7 in g minor `L\u00b4Immortelle\u00b4,
\nAllemande - Courante - Sarabande \u2013 Gigue<\/p>\n

Francois Couperin (1668-1733)<\/strong>
\n`L\u00b4Apotheose de Corelli\u00b4 for traverso, violin and Basso continuo
\nCorelli au pi\u00e9d du Parnasse prie les Muses de le Recevoir parmi elles, Gravement
\nCorelli charm\u00e9 de la bonne r\u00e9ception quant lui fait au Parnasse, Gayment
\nCorelli buvant \u00e0 la source d\u00b4Hypocrene - Entouziasme de Corelli, Vivement
\nCorelli apr\u00e8s son entouziasme, tr\u00e8s doux - Les Muses r\u00e9veillent Corelli, Vivement
\nRemerciment de Corelli, Gayment<\/p>\n

Carl Philipp Emanuel Bach (1714-1788)<\/strong>
\nFantasy for harpsichord in f sharp minor, Wq 67
\nTriosonata in d minor Wq 145 for traverso, violin and Basso continuo
\nAllegretto - Largo \u2013 Allegro<\/p>\n


\nEnsemble Castor<\/em><\/span>
\nJana SEMERADOVA, transverse flute<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n The Musical Cosmos of Kardinale Ottoboni - A Journey to Rome<\/span>\r\n <\/div>\r\n
\r\n

Georg Friedrich H\u00e4ndel (1685-1759)<\/strong>
\nTriosonata op.2\/ 5 in g minor for 2 violins and B.c.
\n`Tu fedel? Tu costante? \u00b4 , Kantata for soprano, 2 vl and B.c.<\/p>\n

Arcangelo Corelli (1653-1713)<\/strong>
\nTriosonata op.4\/10 for 2 violins and B.c.<\/p>\n

Giovanni Battista Somis (1686-1763)<\/strong>
\nSonata for violin and B.c. op.4 \/5 in g minor<\/p>\n

Alessandro Scarlatti (1660-1725)<\/strong>
\n`Ombre Opache\u00b4, Aria for soprano, 2 violins and B.c.<\/p>\n

Interval<\/em><\/p>\n

Antonio Caldara (1670-1736)<\/strong>
\nCiaconna op.1\/12 in B flat major for 2 violins and B.c.<\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nTriosonata op.5 \/6 in F major for 2 violins and B.c.<\/p>\n

Arcangelo Corelli<\/strong>
\nCiaconna op.2\/12 for 2 violins and B.c.<\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\n`Agrippina condotta a morire\u00b4, HWV 110, Kantata for soprano, 2 violins and B.c.<\/p>\n

Ensemble Castor<\/em><\/span>
\nHanna HERFURTNER, soprano<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n The Young Mozart<\/span>\r\n <\/div>\r\n
\r\n

The programme shows an interesting insight in the musical cosmos of Mozarts youth, who was able to meet lots of famous musicians, who had a great influence on his musical development. The two concerti are transcriptions of sonatas of Johann Christian Bach, one of his most important mentors in London. Additional chamber music of Carl Philipp Emanuel Bach and Leopold Mozart. Haydns Divertimenti have been composed at the same time as Mozarts Concerti.<\/p>\n

Carl Philipp Emanuel Bach (1714-1788)<\/strong>
\nSinfonia in D major H.585
\nAllegro moderato - Andantino - Tempo di minuetto<\/p>\n

Joseph Haydn (1732-1809)<\/strong>
\nDivertimento in C major Hob XIV:4
\nAllegro - Minuet - Finale.Allegro<\/p>\n

Wolfgang Amadeus Mozart (1756-1791)<\/strong>
\nSonata in e-minor KV 304 for violin and harpsichord or fortepiano<\/p>\n

Wolfgang Amadeus Mozart<\/strong>
\nConcerto in G-Dur KV 107\/2
\nAllegro - Thema con variazioni. Allegretto<\/p>\n

Pause<\/em><\/p>\n

Leopold Mozart (1719- 1787)<\/strong>
\nTrio sonata in E flat major for 2 violins and B.c.<\/p>\n

Johann Christian Bach (1735-1782)<\/strong>
\nConcerto for fortepiano, 2 vl and B.c. in F major op.1\/3<\/p>\n

Wolfgang Amadeus Mozart<\/strong>
\nConcerto in E flat major KV 107\/3
\nAllegro \u2013 Allegretto<\/p>\n

Joseph Haydn<\/strong>
\nDivertimento in F major Hb.XIV:9
\nAllegro - Minuet - Finale.Allegro molto<\/p>\n

Ensemble Castor<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Von Ehrenruef - Johann Heinrich Schmelzer and His Contemporaries at the Court of Vienna<\/span>\r\n <\/div>\r\n
\r\n

Johann Heinrich Schmelzer was an Austrian composer and violinist: Born in Scheibbs, Lower Austria, he seems to have arrived in Vienna during the 1630s and remained composer and musician at the Habsburg court for the rest of his life. In 1679 he became Kapellmeister. Schmelzer was one of the most important violinist of this period, and an important influence on later German and Austrian music.<\/p>\n

This program contains some of his most famous pieces as the `Lamento\u00b4 as well as beautiful music of his contemporaries at the Habsburg court. Together with international successfully soprano Christina Gansch we invite you to take a glance at the court of Vienna.<\/p>\n

J.H. Schmelzer Sacro (1620-1680)<\/strong>
\nSacro profanus concentus 1662: Sonata XIII for 2 violins and B.c.<\/p>\n

P.A. Ziani Alma (1577-1630)<\/strong>
\nAlma redemptoris Mater for soprano, violin and B.c.<\/p>\n

J.H. Schmelzer<\/strong>
\nLamento sopra il morte Ferdinand III for 2 violins, viola and B.c.<\/p>\n

Joseph I<\/strong>
\nRegina Coeli for soprano, 2 violins and B.c.<\/p>\n

A. Bertali (1605-1669)<\/strong>
\nSonata III for 2 violins, cello and B.c. from `Prothimia suavissima\u00b4<\/p>\n

Interval<\/em><\/p>\n

J.H. Schmelzer<\/strong>
\nSonata Lanterly for 2 violins, violoncello and B.c.<\/p>\n

P.A. Ziani (1616-1684)<\/strong>
\nSonata II a tre voci , Venice 1678<\/p>\n

A. Bertali<\/strong>
\nCiaconna for violin and B.c. in C major<\/p>\n

J.H. Schmelzer<\/strong>
\nSonatae unarum fidium for violin and B.c.
\nSonate II<\/p>\n

J.H. Schmelzer<\/strong>
\nGegr\u00fc\u00dfest seist du for soprano, 2 violins, viola and B.c.<\/p>\n

Ensemble Castor<\/em><\/span>
\nChristina Gansch, soprano<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n <\/div>\r\n\r\n\r\n\r\n <\/div>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

Programmes with Enrico Onofri<\/h5>\n
\r\n
\r\n \r\n
\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Amore e Dolore<\/span>\r\n <\/div>\r\n
\r\n

Georg Friedrich H\u00e4ndel (1685-1759)<\/strong>
\nConcerto grosso op.6\/7
\n`Crudel tiranno Amor\u00b4, Cantata for soprano and strings<\/p>\n

Antonio Vivaldi (1678-1741)<\/strong>
\n`Canta in prato\u00b4, motet for soprano and strings<\/p>\n

Francesco Geminiani (1687-1762)<\/strong>
\n`La Follia\u00b4 for 2 vl, cello and strings from Concerti grossi op.5\/12 in d minor<\/p>\n

Interval<\/em><\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\n`Tu del ciel ministro eletto\u00b4, from `Il Trionfo del Tempo e del Disinganno\u00b4 for soprano and strings
\nConcerto grosso op.6\/4 in D major for strings and b.c.<\/p>\n

Antonio Vivaldi<\/strong>
\n`In turbato mare irato\u00b4, RV 627, motet for soprano and strings<\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\n`Agrippina condotta a morire\u00b4 for soprano and strings<\/p>\n

Ensemble Castor with Enrico ONOFRI, solo violin and leading
\nSilvia FRIGATO, soprano<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Antonio Vivaldi - And the Virtuosic Orphans of the Ospedale della Piet\u00e0<\/span>\r\n <\/div>\r\n
\r\n

Enrico Onofri and Ensemble Castor give an insight in the musical life at the Ospedale della Piet\u00e0 , one the the four music schools in Venice. In 1703 Vivaldi started there as conductor, violinist and composer and got very early an extremely high reputation - this could have been one of the famous concerts!<\/p>\n

Antonio Vivaldi (1678-1741)<\/strong>
\nConcerto for strings in A major RV 158<\/p>\n

Giovanni Legrenzi (1626-1690)<\/strong>
\nSonata in a minor for 4 violins and B.c.<\/p>\n

Tomaso Albinoni (1671-1751)<\/strong>
\nSonata in a minor op.1\/6 for 2 violins and B.c.<\/p>\n

Antonio Vivaldi<\/strong>
\nConcerto in d minor op.3\/2 for 2 violins , violoncello, strings and B.c. aus `L\u00b4estro Armonico<\/p>\n

Interval<\/em><\/p>\n

Antonio Vivaldi<\/strong>
\nSonata in d minor op.1\/12 `La Follia\u00b4 for 2 violins and B.c.<\/p>\n

Antonio Caldara (1670-1736)<\/strong>
\nSonata in d minor op.2\/1 for 2 violins and B.c.<\/p>\n

Antonio Vivaldi<\/strong>
\nConcerto in d minor op.3\/11 for 2 vioins, violoncello, strings and B.c. from `L\u00b4estro armonico`<\/p>\n

Ensemble Castor with Enrico ONOFRI, solo violin and leading<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Dreams and Madness<\/span>\r\n <\/div>\r\n
\r\n

Antonio Vivaldi (1678-1741)<\/strong>
\nConcerto`Alla Rustica\u00b4 for strings and B.c. RV 151
\nConcerto `La Primavera\u00b4 for violin, strings and B.c. op.8\/1
\nConcerto ` Il Cucc\u00f9 and other extravganzas\u00b4 RV 331 for violin, strings and B.c.
\nConcerto for strings in C-Major (Ciaconna) RV 114<\/p>\n

Interval<\/p>\n

Concerto `La Caccia\u00b4 for violin, strings and B.c. op.8\/10
\nConcerto in d-minor for 2 vl , cello and strings op.3\/11 from `L\u00b4estro armonico\u00b4
\nConcerto `L\u00b4inverno\u00b4 for violin, strings and B.c. op.8\/4
\nConcerto `La tempesta di mare\u00b4 for violin, strings and B.c. op.8\/5<\/p>\n

Ensemble Castor with Enrico ONOFRI, solo violin and leading<\/span><\/em><\/p>\n

\n

`Of Battles, Beasts and Other Extravaganzas \u00b4<\/span><\/p>\n

Carlo Farina (1604-1639)<\/strong>
\nCapriccio stravagante<\/p>\n

Johann Heinrich Schmelzer (1623-1680)<\/strong>
\n`Fechtschule\u00b4, `Fencing school\u00b4<\/p>\n

Heinrich Ignaz Franz Biber (1644-1704)<\/strong>
\nSonata VI from `Harmonia artificiosa\u00b4<\/p>\n

Georg Muffat (1653-1704)<\/strong>
\n`Passacaglia\u00b4 from Sonata V, `Armonico Tributo\u00b4<\/p>\n

Interval<\/em><\/p>\n

H.I.F.Biber<\/strong>
\n`Sonata representativa\u00b4 for violin and B.c.
\n`Battaglia\u00b4 for strings<\/p>\n

Antonio Vivaldi<\/strong>
\n`Il grosso Mogul\u00b4 , concerto for violin and strings RV 208<\/p>\n

Ensemble Castor with Enrico ONOFRI, solo violin and leading<\/span><\/em><\/p>\n

\n

Amore e Dolore<\/span><\/p>\n

Georg Friedrich H\u00e4ndel (1685-1759)<\/strong>
\nConcerto grosso op.6\/7
\n`Crudel tiranno Amor\u00b4, Cantata for soprano and strings<\/p>\n

Antonio Vivaldi<\/strong>
\n`Canta in prato\u00b4 ,motet for soprano and strings<\/p>\n

Francesco Geminiani (1687-1762)<\/strong>
\n`La Follia\u00b4<\/p>\n

Interval<\/em><\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\n`Tu del ciel ministro eletto\u00b4, from `Il Trionfo del Tempo e del Disinganno\u00b4 for soprano and strings
\nConcerto grosso op.6\/4 in D major<\/p>\n

Antonio Vivaldi<\/strong>
\n`In turbato mare irato\u00b4, RV 627 , motet for soprano and strings<\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\n`Agrippina condotta a morire\u00b4 for soprano and strings<\/p>\n

Ensemble Castor with Enrico ONOFRI, solo violin and leading<\/span><\/em>
\nSilvia FRIGATO, soprano<\/span><\/em><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n H\u00e4ndel in London<\/span>\r\n <\/div>\r\n
\r\n

When H\u00e4ndel arrived at London 1710, he was not the first one, who aimed to make London the most important musical place in Europe, nevertheless his operas are the climax in the accidental world at this time. Between 1711 and 1738 he composed more than 40 operas and made great effort to settle the Italian opera in England.<\/p>\n

H\u00e4ndels Concerti grossi op.6 were first published 1739 in London. They have been mainly performed between his oratorios.
\nIn 1714 Francesco Geminiani came to London as one the greatest violinists at his time. Together with H\u00e4ndel he performed his violin concertos at the royal palace.<\/p>\n

Georg Friedrich H\u00e4ndel (1685-1759)<\/strong>
\nConcerto grosso op.6\/7 in D-major for 2 Vl, Cello and strings
\n`Ah mio cor\u00b4 from `Alcina\u00b4<\/p>\n

Francesco Geminiani (1687-1762)<\/strong>
\nConcerto grosso op.3\/4 in d-minor for 2 Vl, Cello and strings<\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nConcerto for violin and strings in B flat major HWV 288
\n`Where shall I fly?\u00b4 from `Hercules\u00b4<\/p>\n

Interval<\/em><\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nConcerto grosso op.6\/2 for 2 Vl, Cello and strings `Scherza, infida\u00b4 from `Ariodante\u00b4<\/p>\n

Francesco Geminiani<\/strong>
\n`La Follia\u00b4 , Concerto grosso op.5\/12 for 2 Vl, Cello and strings<\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\n`L\u00b4angue offesa mai riposa\u00b4 from `Giulio Cesare\u00b4
\n`Dopo notte\u00b4 from `Ariodante\u00b4<\/p>\n

Ensemble Castor with Enrico ONOFRI, solo violin and leading<\/span><\/em>
\nMireille LEBEL, mezzo-soprano<\/span><\/em><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n La Gioia di Natale<\/span>\r\n <\/div>\r\n
\r\n

Georg Muffat (1653-1704)<\/strong>
\nToccata Sexta in F for organo<\/p>\n

Arcangelo Corelli (1653-1713)<\/strong>
\nConcerto in D major op.6\/7 for 2 violins, violoncello, strings and B.c. Vivace - Allegro, Allegro, Andante Largo, Allegro, Vivace<\/p>\n

Antonio Vivaldi (1678-1741)<\/strong>
\nConcerto for strings `Madrigalesco\u00b4 Adagio- Allegro, Adagio- Allegro ma non troppo<\/p>\n

Arcangelo Corelli<\/strong>
\nConcerto in g minor op.6\/8 for 2 violins, violoncello, strings and B.c.
\n`Fatto per la notte di natale\u00b4 Vivace- Grave, Allegro, Adagio-Allegro-Adagio, Vivace, Allegro, Pastorale<\/p>\n

Georg Muffat<\/strong>
\nSonata V in G major for 2 violins, violoncello, strings and B.c. from `Armonico Tributo\u00b4 Allemanda grave, Adagio, Fuga, Adagio, Passagaglia grave<\/p>\n

Antonio Vivaldi<\/strong>
\nConcerto in d minor op.3\/11 for 2 violins, violoncello, strings and B.c. Allegro - Adagio e spiccato -Allegro, Largo e spiccato, Allegro<\/p>\n

Ensemble Castor with Enrico ONOFRI, solo violin and leading<\/span><\/em><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Per il santissimo Natale<\/span>\r\n <\/div>\r\n
\r\n

F. Manfredini (1684-1762)<\/strong>
\nfrom `Sinfonie da chiesa\u00b4op.2: Sinfonia Pastorale Nr.12 in D major for 2 violins and B.c.<\/p>\n

G.Ph. Telemann (1681-1767)<\/strong>
\nOuverture \u00e0 la Pastorelle TWV 55:F7 for strings and B.c.<\/p>\n

J.Ch. Pez (1664-1716)<\/strong>
\nConcerto Pastorale, for 2 recorders, strings and B.c.<\/p>\n

Interval<\/em><\/p>\n

P. Locatelli (1695-1764)<\/strong>
\nConcerto per la notte di natale op.1\/8 in f minor<\/p>\n

L.G. Zavateri (1690-1764)<\/strong>
\nConcerto Pastorale op.1\/10 for 2 violins, strings and B.c.<\/p>\n

A. Corelli (1653-1713)<\/strong>
\nConcerto op.6\/8 in g minor for 2 violins, cello, strings and b.c. `Fatto per la notte di Natale\u00b4<\/p>\n

Ensemble Castor with Enrico ONOFRI, solo violin and leading<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n The Other Seasons<\/span>\r\n <\/div>\r\n
\r\n

This program is a funny alternative to the classical Vivaldi's Four Seasons programs. It includes other concerts and vocal pieces by Vivaldi related to the Nature, to its sounds and its powerful events. Every piece explores birds songs, tempests, the life in the fields, the hunting spirit of the Fall, etc. In addition, the program starts with the interesting aria \"Gelido in ogni vena\" (the story of a father which sees the ghost of his son, describing the feeling of his blood freezing in veins). Vivaldi composed this scaring and unique aria using the same themes of the first movement of Winter concerto.<\/p>\n

A. Vivaldi (1678-1741)<\/strong>
\nConcerto in G major RV151 Alla rustica for strings and b.c. Presto \u2013 Adagio \u2013 Allegro
\n\"Gelido in ogni vena\", aria from \"Farnace\"
\nConcerto in f minor Op.VIII n.4 L\u00b4inverno for violin, strings and b.c. Largo- Allegro assai
\nSum in medio tempestatum motet for mezzosoprano, strings and continuo RV632 Aria Sum in medio tempestatum \u2013 Rec Quid ergo Aria Semper maesta \u2013 Alleluja<\/p>\n

Interval<\/em><\/p>\n

A. Vivaldi<\/strong>
\nConcerto in E major Op.VIII n.1 La Primavera for violin, strings and b.c. Allegro \u2013 Largo \u2013 Allegro
\nConcerto in A major RV335 Il Cuc\u00f9 (\u2026and the other Extravaganza) for violin, strings and b.c. Allegro \u2013 Largo \u2013 Allegro
\nConcerto in Bflat major Op.VIII n.10 La Caccia for violin, strings and b.c. Allegro \u2013 Adagio \u2013 Allegro
\nConcerto in Eflat major Op.VIII n.5 La Tempesta di mare for violin, strings e b.c. Presto \u2013 Largo \u2013 Presto<\/p>\n

Ensemble Castor with Enrico ONOFRI, solo violin and leading<\/em><\/span>
\nMireille LEBEL, mezzo-soprano<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Una Serata Italiana<\/span>\r\n <\/div>\r\n
\r\n

A. Corelli (1653-1713)<\/strong>
\nConcerto grosso op.6\/4
\nAdagio, Allegro - Adagio - Vivace - Allegro - Allegro<\/p>\n

A. Vivaldi (1678-1741)<\/strong>
\nConcerto for violin op.4\/4 a-minore
\nConcerto for 2 violins and strings op.3\/8 aus `L`estro armonico\u00b4
\nAllegro - Larghetto - Allegro<\/p>\n

Pause<\/em><\/p>\n

A. Vivaldi<\/strong>
\nConcerto for violin op.8\/8 in g-Moll
\nAllegro - Largo - Allegro<\/p>\n

G. Muffat (1653-1704)<\/strong>
\nPassacaglia from Sonata V, `Armonico Tributo\u00b4<\/p>\n

F. Geminiani (1687-1762)<\/strong>
\nConcerto grosso Nr.12 `Follia\u00b4 (nach Corelli op.V)<\/p>\n

Ensemble Castor with Enrico ONOFRI, solo violin and leading<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n <\/div>\r\n\r\n\r\n\r\n <\/div>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

Sacred Programmes<\/h5>\n
\r\n
\r\n \r\n
\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Christoph Graupner - The Last Seven Words of Jesus<\/span>\r\n <\/div>\r\n
\r\n

Georg Philipp Telemann (1681-1767)<\/strong>
\nFantasy for organ in D major<\/p>\n

Christoph Graupner (1683-1760)<\/strong>
\n`Betr\u00fcbte Sulamith, geh hin\u00b4, GWV 1120\/43, first word Kantata for oboe, strings and voices from `Die sieben Worte Jesu am Kreuz\u00b4<\/p>\n

Christoph Graupner (1683-1760)<\/strong>
\nTriosonata for 2 violins and B.c.in E major, GWV 208<\/p>\n

Georg Philipp Telemann<\/strong>
\n`Ich will den Kreuzweg gerne gehen\u00b4 TWV 1:884 Kantata for bass, violin and organ<\/p>\n

Georg Philipp Telemann<\/strong>
\nConcerto for violin and strings in B flat major TWV 51:B1<\/p>\n

Christoph Graupner<\/strong>
\n`Betr\u00fcbte Seele`, merke auf\u00b4, GWV 1121\/43, second word Kantata for strings and voices from `Die sieben Worte Jesu am Kreuz\u00b4<\/p>\n

Ensemble Castor<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Georg Friedrich H\u00e4ndel - Sacred Cantatas<\/span>\r\n <\/div>\r\n
\r\n

Georg Friedrich H\u00e4ndel (1685-1759)<\/strong>
\nLaudate Pueri Dominum HWV 236 for soprano, 2 vl and B.c.
\nConcerto for organ and strings d-Minor HWV 309
\nTrio Sonata op.2\/1 for 2 vl and b.c.
\nCoelestis dum spirat aura HWV 231, motet for soprano, 2 vl and b.c.<\/p>\n

Interval<\/em><\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nSinfonia in B flat major HWV 335 for strings
\nO qualis de coelos Sonus HWV 239, motet for soprano, 2 vl and b.c.
\nTrio sonata op.5\/2 for 2 vl and b.c.
\nSalve Regina HWV 241 for soprano, 2 vl and b.c.<\/p>\n

Ensemble Castor
\n<\/em><\/span>Christina GANSCH, soprano<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Jubilate Deo - Music of the German Baroque<\/span>\r\n <\/div>\r\n
\r\n

G.Ph. Telemann (1681-1767)<\/strong>
\nConcerto for trumpet and strings in D major TWV 51:D7<\/p>\n

R.I. Mayr (1646-1712)<\/strong>
\n`Nisi Dominus\u00b4for bass, violin and B.c.
\nSuite VI from \u00b4Pythagorisches Schmids F\u00fcncklein\u00b4 for strings and B.c.<\/p>\n

J.V. Meder (1649-1719)<\/strong>
\n`Jubilate Deo Omnis\u00b4 for bass, trumpet, violin and B.c.<\/p>\n

Interval<\/em><\/p>\n

J.T. Roemhildt (1684-1756)<\/strong>
\n`Mein Gott bereite mich\u00b4 for bass, trumpet and B.c.<\/p>\n

J.S. Bach (1685-1750)<\/strong>
\nConcerto for harpsichord and strings in A major BWV 1055<\/p>\n

G.Ph. Telemann<\/strong>
\n`Jauchzet dem Herrn alle Welt\u00b4 for bass, trumpet, strings and B.c.<\/p>\n

Ensemble Castor<\/em><\/span>
\nReinhard MAYR, bass<\/em><\/span>
\nFranz LANDLINGER, trumpet<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Joyful Soul<\/span>\r\n <\/div>\r\n
\r\n

The main part in this concert belongs to Bachs cantata `Vergn\u00fcgte Ruh, beliebte Seelenlust\u00b4, one of his four solocantatas for alto; it is a hymn on the very peace of the soul and on the silence and calm of the heart.<\/p>\n

Georg Friedrich H\u00e4ndel (1685-1759)<\/strong>
\nConcerto for organ and strings in G minor HWV 289
\nLarghetto e staccato - Allegro - Adagio - Andante<\/p>\n

Johann Sebastian Bach (1685-1750)<\/strong>
\n`Widerstehe doch der S\u00fcnde\u00b4, BWV 54, Kantata for mezzo-soprano, strings and B.c.<\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nSonata for violin and B.c. in A major HWV 372
\nAdagio - Allegro - Largo - Allegro<\/p>\n

Johann Sebastian Bach<\/strong>
\nConcerto for violin and strings in E major BWV 1042
\nAllegro - Adagio - Allegro assai<\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nFuga g minor HWV 605 (from Six Fugues or Voluntarys for Organ)<\/p>\n

Johann Sebastian Bach<\/strong>
\n`Vergn\u00fcgte Ruh, beliebte Seelenlust\u00b4, BWV 170, Kantata for mezzo-soprano, oboe, strings and B.c.<\/p>\n

Ensemble Castor<\/em><\/span>
\nMargot OITZINGER, mezzo-soprano<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Salve Maria<\/span>\r\n <\/div>\r\n
\r\n

Georg Friedrich H\u00e4ndel (1685-1759)<\/strong>
\nSalve Regina HWV 241 for soprano, 2 violins and B.c.
\nTriosonata op.2\/5 for 2 violins and B.c.<\/p>\n

Fra Arcangelo Crotti (1550-1606)<\/strong>
\nSancta Maria, ora pro nobis for soprano and B.c.<\/p>\n

Tarquinio Merula (1559-1665)<\/strong>
\nCiacona for 2 violins and B.c.
\nGaudeamus Omnes for soprano, vl and B.c.<\/p>\n

Giovanni Battista Pergolesi (1710-1736)<\/strong>
\nSalve Regina for soprano, strings and B.c.
\nTriosonata in G major for 2 violins and B.c.<\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nHaec est Regina HWV 235 for soprano, strings and B.c.<\/p>\n

Ensemble Castor<\/em><\/span>
\nIna SIEDLACZEK, soprano<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Stabat Mater - Giovanni Battista Pergolesi<\/span>\r\n <\/div>\r\n
\r\n

Antonio Vivaldi (1678-1741)<\/strong>
\nConcerto in g minor for strings RV 157 Allegro - Largo - Allegro<\/p>\n

Giovanni Battista Pergolesi (1710-1736)<\/strong>
\nSalve Regina a due voci in c minor<\/p>\n

Antonio Vivaldi<\/strong>
\nConcerto for violin, organ and strings in d minor RV 541 Allegro - Grave - Allegro<\/p>\n

Giovanni Battista Pergolesi<\/strong>
\nStabat Mater
\nGrave - Stabat Mater
\nAndante amoroso - Cuius animam gementem
\nLarghetto - O quam tristis
\nAllegro - Quae moerebat et dolebat
\nLargo, Allegro - Quis est homo
\n\u00e0 Tempo giusto - Vidit suum dulcem natum
\nAndantino - Eja Mater fons amoris
\nAllegro - Fac ut ardeat cor meum
\nA tempo giusto - Sancta Mater
\nLargo - Fac ut portem Christi mortem
\nAllegro ma non troppo - Inflammatus et accensus
\nLargo assai - Quando corpus morietur<\/p>\n

Ensemble Castor<\/em><\/span>
\nIda ALDRIAN, mezzo-soprano<\/em><\/span>
\nElisabeth BREUER, soprano<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Stabat Mater - Luigi Boccherini<\/span>\r\n <\/div>\r\n
\r\n

Wolfgang Amadeus Mozart (1756-1791)<\/strong>
\nAdagio and Fugue in c minor KV 546 for strings<\/p>\n

Felix Mendelssohn Bartholdy (1809-1847)<\/strong>
\nSalve Regina for soprano and string quintet<\/p>\n

Wolfgang Amadeus Mozart<\/strong>
\nString quartet in E flat major KV 428<\/p>\n

Luigi Boccherini (1743-1805)<\/strong>
\nStabat Mater for soprano and string quintet G 532, 1781<\/p>\n

Ensemble Castor<\/em><\/span>
\nNN, mezzo-soprano<\/em><\/span><\/p>\n

\u00a0<\/i>\u00a0<\/span><\/a><\/span><\/p>\n <\/div>\r\n <\/div>\r\n\r\n\r\n\r\n <\/div>\n

 <\/p>\n

\"\"","protected":false},"excerpt":{"rendered":"

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